Diva daughter Lindy is in mid-tour with the Carl Rosa Opera Company's 2010 production of Pirates Of Penzance which is being very well received again. As you will see from the pictures on my 'Diva Daughter' page she has also been on tour with several of their previous productions.
Here is a nice piece about this production and Carl Rosa Opera written by Duncan Hall for The Argus on April 6 2010
“You can look at something like The Pirates Of Penzance as if it is a dirty old painting.
“You ask questions of it and look for its relevance. You take layers of 125 years of dirt off it, put it in a new frame and hang it in the centre of the room. People are amazed at how fresh and beautiful it looks, although you are doing nothing more than cleaning it up.”
So says Peter Mulloy, the artistic director of the Carl Rosa Opera Company and the director of The Pirates Of Penzance, which is launching its national tour in Brighton tonight.
The new production stars Paul Nicholas in the role of the Pirate King. His involvement continues a link with the company that saw him play the Sergeant Of Police in last year’s short tour when it came to Chichester Festival Theatre, stepping in for Jo Brand at the last minute, and playing Jack Point in The Yeomen Of The Guard at the 2009 Tower Of London Festival.
“Paul knows the role,” says Mulloy. “He has done it before, but he is relishing the chance to do it with an opera company like ours.
“Paul has been doing this for a long time, and that doesn’t happen by accident, he’s still at the top of his game. After The Yeomen Of The Guard he said he loved the experience so much that if we ever wanted him to do something again he would love to do it.
“He’s perfect for the Pirate King.”
The Pirates Of Penzance was the first production the Carl Rosa Opera Company performed when it was relaunched 12 years ago.
The company’s history dates back to the 1873, taking its name from its founder. Carl Rosa was a violinist who was a contemporary of Arthur Sullivan at Leipzig University.
The original company closed in 1958 when it merged with Sadler’s Wells Opera. In all that time it had never performed a Gilbert and Sullivan production because the copyrights for the operettas remained with the D’Oyly Carte Opera Company until 1961.
“When we revived the company we felt The Pirates Of Penzance was one of the most popular musical theatre pieces, and a favourite among Gilbert and Sullivan fans,” says Mulloy.
“Very few people realise that the great American composers Cole Porter and George Gershwin were massive fans of Gilbert and Sullivan. Those two composers were the start of the American musical theatre tradition, and they were inspired by Gilbert and Sullivan’s word-smithing. It is interesting that Gilbert and Sullivan has stood the test of time, when a lot of shows that were written at the same time, and were more popular in their day, haven’t survived.”
He puts part of this down to the universal themes at the heart of much of Gilbert and Sullivan’s works, with the activities of the devious peers in Iolanthe mirroring the MPs at the centre of the recent expenses row.
“Gilbert and Sullivan’s plays are about class, and people’s arrogance, hypocrisy and intolerance towards other people,” says Mulloy.
“They are all approached with tongue-in-cheek, but there is often a very subtle pill wrapped up in all of them. The message is generally that we are human, and should never forget that. We make mistakes and can mess things up.”
HOW TRUE!!!
